MICHAEL GIELETA trained at Warsaw, Milan and Oxford universities.

Theatre Credits :

Mimi and the Stalker (Theatre 503)

Le Mariage (Arcola Theatre)

Fragile! (Arcola Theatre)

A Perfect Ganesh (Gielgud Theatre, RADA)

The Way of the World (Rose Bruford)

Hortensia and the Museum of Dreams (Finborough Theatre)

Anyone Can Whistle (Bridewell Theatre)

Last Song of the Nightingale (New End Theatre)

Change of Heart (New End Theatre)

Twelfth Night (Haugesund Festiviteten, Norway)

Company (Oxford Playhouse)

The Marys (Southwark Playhouse and Yvonne Arnaund, Guildford)

Still Lives (British Council tour of Italy)

The Seagull (Old Fire Station, Oxford)

Two for the Seesaw (Old Fire Station, Oxford)

Scenes from an Execution , White Chateaux , Artist Descending a Staircase , Last Train from Berlin and Stretching Strindberg (Minerva Theatre, Chichester Festival Theatre)   

Assisting Credits:

The Tempest dir. Michael Boyd (Royal Shakespeare Company)

Heartbreak House dir. Christopher Morahan (Chichester Festival Theatre)

Arcadia dir. Peter Wood (Chichester Festival Theatre)

Absolutely! (perhaps) dir. Franco Zeffirelli (Wyndhams Theatre, West End)

Opera Credits:

Manon (Cape Town Opera)

The Tales of Hoffmann (Opera Integra)

Oberon (Opera Integra, London)

Tosca (State Theatre, Pretoria)

Madama Butterfly (State Theatre, Pretoria)

Puccini Vignettes (State Theatre, Pretoria)

L'elisr d'amore (State Theatre, Pretoria)

Don Pasquale (State Theatre, Pretoria)

Ernani (Opera Integra, London)

Lucia di Lammermoor (State Theatre, Pretoria)

Il Trovatore (Opera Integra, London)

Samson and Dalilah (Vision Opera, London)

Assisting Credits:

Queen of Spades dir. Francesca Zambello (Royal Opera House)

Katya Kabanova dir. Nikolaus Lehnhoff (Glyndebourne Opera Festival)

Carmen dir. David McVicar (Glyndebourne Opera Festival)

Regular collaborations with:

The Royal Academy of Dramatic Art

The Royal College of Music

The National Theatre Studio